![]() ![]() Janice Walker: Why make the point of classifying the Fellowship for the Performing Arts as specifically “Christian”? What is lacking in secular theater productions that attempt, like FPA, to explore the themes of “conflict and disintegration?” The hunger for Truth is indeed universal however, the receptivity of a diverse audience to the Truth depends on one thing: you have to put on one helluva good show. He demonstrates a critical understanding of his audience that is rare (if not unique) among self-identified Christian performers. ![]() ![]() But McLean goes further, and in his theatrical excellence he conveys the message all the more powerfully. McLean's seemingly inexhaustible drive to share the Gospel manifests itself on stage, in recordings, and in print. (which included your humble interviewer) that he "worked for 'Enemy.'" Paradoxically, precisely by positioning himself firmly within the service of Christian theatrical arts, McLean has liberated himself and his production company, The Fellowship for the Performing Arts from the restrictions and stigmas of that genre. Coming to the end of the curtain call, award-winning actor Max McLean broke the fourth wall to inform the audience of the Lansburgh Theater in Washinton, D.C. ![]()
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